Wednesday, September 30, 2015
Channel 4 is the fourth major TV channel in the United Kingdom and has a remit and international reputation for creating challenging and innovative programming. This spirit runs through everything it does, including the presentation between the programmes. Yesterday, it launched a completely new identity that included everything from idents to news.
This is huge project involving several agencies and creatives. The lead was taken by Channel 4's in-house agency 4Creative and creative agency DBLG. Channel idents were produced with Academy Films and directed by Jonathan Glazer. Two custom typeface families were commissioned from none other than Neville Brody. Full credits are reproduced at the bottom of this article.
Channel 4 has always sought to bring innovation in their presentation and push the boundaries. The previous set of idents, introduced in 2004, consisted of short films were the logo was only flashed for less than a second. In the new idents, the full logo isn't included at all. Instead, pieces of the logo appear as crystals in various scenes. Other on-screen graphics also see the logo broken up into blocks that are free to flow around. Brody's typeface comes in eight weights and two variations, Horseferry for display and Chadwick for text.
The Daily Show returned with its new host Trevor Noah this week, after Jon Stewart's departure back in August. The "new" Daily Show is fundamentally the same show, although Noah will probably change things up eventually. So far, the most noticeable change is an overall visual refresh. Comedy Central and The Daily Show worked with Hollywood-based branding agency Troika to create the new identity, including a new logo, an icon, and a complete show package
The old logo was introduced in 1998, before Jon Stewart had started hosting the show, and was arguably now overdue for a change. It's replacement is a relatively simple solution that uses Gotham.
The new intro features a lighter version of the over-the-top news intro tropes, with spinning globes and graphics. Some of it is surprisingly similar, including the orchestration of the main theme by They Might Be Giants, which remains unchanged. Other graphics are similarly light, contrasting with the studio which is still quite dark.
The studio set was designed by Jim Fenhagen and Larry Hartman of Jack Morton/PDG (who were also behind the old Daily Show set, as well as the new set for The Late Show with Stephen Colbert).
Tuesday, September 29, 2015
Clover Health is a new data-driven health insurance start-up that seeks to give American seniors more effective healthcare, sort of a contender to be the Uber och Airbnb or healthcare. It's launch identity was devised by Red Antler. The also created the company website. The simple identity is focused on communicating the benefits Clover offers.
Monday, September 28, 2015
TBS is one of the oldest cable TV stations in the United States, started by Ted Turner back in the 70s. It's focus has shifted through the years, but these days it is firmly positioned as a mainstream comedy channel, with sitcoms in primetime and Conan O'Brien later on. Recently, it has trialled a new logo, a version of which can be seen above.
Various version of the logo have been popping up sporadically at least since August, when new promos for the upcoming show Full Frontal were released. In mid-September, it was introduced on TBS's social media accounts, making the change more or less official, even if the logo is still not used on-air or on the official website. The version seen above is the one used on the social media profiles, but it will presumably take on many different textures and colour schemes later on.
Thursday, September 24, 2015
Lendinvest is a platform for investing in real estate through lending, branding itself as the worlds leading "peer-to-peer marketplace property lender". At the beginning of this month it launched a new visual identity, developed by London-based DesignStudio (who've previously helped rebrand Airbnb and Logitech). The agency set out to create "a clean, new focus that simplifies the offering and sets the brand apart".
The new symbol is a monogram, with an L and an I in an isometric grid, which should remind you of architecture and space. Backgrounds in ads use pictures of building materials to convey to the investor that they are investing in real buildings.
Wednesday, September 23, 2015
Opera is that web browser that by all accounts is great, but hardly used by any significant number of people. But it has been on the market since 1995 and is under continuing development. Yesterday, it launched a new visual identity,
Ever since its creation, Opera's icon has been the letter O taken from a serif typeface. The new version is more abstract, taking the form of a "gateway" that leads to new experiences.
Correction September 28: DixonBaxi only did the branding and creative strategy for this project, the visual identity was created by Anti.
Tuesday, September 22, 2015
Quebec-based company Alimentation Couche-Tard operates a substantive network of convenience stores and gas stations around the world, across North America as well as some European countries. Today, September 22, it announced that many of these brands would be united under a refreshed Circle K brand.
Circle K has until now been the company's most significant brand in the United States. The brands it will replace are Statoil (Norway and Sweden), Kangaroo Express (part of the United States) and Mac's (Canada). In Quebec the stores are branded Couche-Tard, and will remain so "due to the specifics of that market".
The announcement came with a ridiculously detailed video, showing how great care has been taken to include aspects of the old logos in the new. The red colour is inherited from Mac's and the orange stripe from Statoil. But most importantly, the new logo is a cleaned up and modernised version of the old Circle K logo.